• Springing

    March 9, 2025
    plants

    ‘Yuletide’ camellia and Edgeworthia are putting on their annual show.

    Blooming Edgeworthia bush in front of a taller camellia with red flowers.

    I wish you could smell the rice paper bush. It’s lovely. Sweet, not very strong, lacking the citrus notes of gardenias and jasmine.

    Closer view of Edgeworthia and camellia bushes
    Upshot showing the yellow centers of Edgeworthia flowers.

    If any camellia has a scent, I have never encountered it.

  • Amaryllis check in

    March 8, 2025
    plants

    That waxed amaryllis that started a bud after I peeled and potted it? The bud shriveled up and disappeared. But the leaves are HUGE.

    An amaryllis plant in a grey pot between a window with a grey drape and a small table. The table holds a coaster, a framed photograph and a small cactus in a green pot.
  • Lino Tagliapietra – Piccadilly

    March 8, 2025
    a day in this life, art
    art glass top. the light from above showing through to the base it rests on

    Because glass always grabs my attention.

  • Giovanni Battista Piranesi – Etchings

    March 7, 2025
    art, books, reading
    The Drawbridge, c. 1749, Giovanni Battista Piranesi

    (I neglected to caption this and WordPress is fighting me, insisting on an overlay for this single picture. This is Piranesi’s The Drawbridge.)

    Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli, c. 1764
    Avanzi del Tempio detto di Appollo nella Villa Adriana vicino a Tivoli / Hadrian’s Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo]
    Vertude Interna del Tempio della Tosse, c. 1764 - Giovanni Battista Piranesi
     Interior view of the (so-called) Tempio della Tosse (Temple of the Cough)

    These are etchings by Giovanni Battista Piranesi, a Venetian artist who lived from 1720 to1788.

    I think Susanna Clarke must have seen, and been moved by, at least some of them before she wrote her book.

    The cover of Piranesi, a fantasy novel by Susanna Clarke

    When I saw the etchings, I thought of it. And then I saw the name of the artist. The setting of the book looks very much like these.

  • Louis Majorelle – Armoire

    March 6, 2025
    art, Beautiful

    I absolutely love beautiful furniture. I love an ornamented life.

    A stunning Art Nouveau armoire with me in the mirror. An exit sign over the doorway behind me.  There are birds inlaid with lighter wood across the top and flowers inlad on the side.  A tree is growing up the right side of the mirror.

    This would not fit in my house. It is huge.

    It is so huge that I didn’t get the ornamental cat in the photo.

    A wooden cat sitting on a pedestal.

    Here’s a closer view of the drawers.

    The twist of this leg (? do you call it a leg in this location?) is a little secret grace that wasn’t immediately visible to me from the front. It surprised me as a walked around trying to capture better memories of the piece.

    My other pictures are marred by glare. So, I’m not inflicting them on you.

    Louis Majorelle, French, 1859-1926
Armoire, c. 1900-1910, Fruitwood and tropical veneers, oak, mirror
Museum purchase with funds provided by a gift of the estate of Colonel and Mrs. Kirby Green

The natural aspects of this Art Nouveau armoire are plentiful, including tulips, birds, and trees in varied wood veneers, as well as a surveying cat.  The organicism masks its industrial leanings.

Two important late 19th-century movements in the decorative arts, the Aesthetic Movement and Arts and Crafts, refused all machine production in reaction to the perceived degradation of handicrafts by the Industrial Revolution. Art Nouveau designers, however, found ways to incorporate factory production to make work more affordable.

Majorelle was a leader in including industrial processes in his furniture making, using the glasswork of local firm Daum Frères and adding a metalworking workshop to mass produce drawer pulls and other details.

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